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We are blind to this world, we are […]. Day 2 is the focus of this post; reactions to Day 1 can be […]. Austin Lunn shared the album with a few select friends, but requested […]. Dreammarcher combines different influences. At times the music can resemble something like Cult of Luna, but for the […]. Originally born in Kentucky, this project was raised by Vanessa Nocera, who has performed in a half -dozen of more extreme bands, such as […].
We asked guitarist and songwriter Jesse Zuretti of The Binary Code for thoughts about his favorite albums of the year, and he did us one better — providing not only two lists but also a streaming playlist of recommended songs from almost every album. The entire playlist can be found here. I want metal people to find something new from the metal list, and maybe even find something outside of that realm in my non-metal list. I feel viewers of No Clean Singing in particular are extremely diverse listeners, and deserve more than a list of albums relevant to the genre in which I spend time dabbling.
Hope you enjoy these albums, too! This song just ripped right through me. The video not only does the song perfect justice, but in a day of contrived music videos, the video actually elevated the power and significance of the song.
This has been a very full day at the site, but I wanted to add one more post about the last two pieces of music I heard this morning. They pulled me in two very, very different directions, but they each made an emotional connection.
I still find his description of the music evocative and gripping:. A storm is coming and it forces the small party into the ground, into caves. The spaces are small, cramped and dark. The tribe, without light and much hope, shudder. Feet stomp in panic. The wind howls, the rain becomes rivers and starts to fill up every hole in the earth. Breathing becomes harder, labored and louder.
A new Arsis video premiered yesterday. It was directed by Scott Hansen. Must have been a slow news night at the TV station that broadcast the report.
You can watch it next if you want. Are we putting too much emphasis on recording quality? Song Quality a novice attempt at history, psychology, and temptation. Many people hearing music in this day and age tend to put the quality of the recording in the forefront, even ahead of the quality of the composition and music.
Should they need to understand anything at all? Should music be over-scrutinized and classified into the depths of genre segregation, with fine-tuning into multiple combinations of classification? The best part about music, in my opinion, is the freedom you have with it, and yet people are probably pickier about music than they are the food they eat.
Human beings have been making music as long as the species has existed. The human voice is considered one of the first instruments we ever used to make music. As part of our series of posts on the Year in Metal, we invited musicians from some of our favorite bands to tell us what albums made an impression on them.
There were too many good releases this year. Talib Kweli — Gutter Rainbows. This album, albeit non-metal, is packed with nostalgia for me. Talib Kweli is one of the most well-versed rhymers of all time. His music is passionate, original, powerful, and adventurous. Listening to his lyrics is like hearing someone you look up to tell a story about something you relate to, and just exceeding your expectations with the outcome.
Why is this album number one for me? The fact that he is almost 20 years old and now seems prone to spontaneous evacuation may also have something to do with it. However, just to be safe, the next time I hear a song as hot as these three, I plan to whisper fucking good pancake. This last, but not least, part of my morning discoveries is the latest pre-production track to be posted for listening by The Binary Code.
My admiration for this band goes back to a time when both NCS and the band were in their infancy, so to speak — though The Binary Code never seemed to take baby steps. Yesterday, they added to their Facebook band page the third of three new pre-production tracks. Cool bass line in this song, too. Both of them are tremendously good. By the way, these may be pre-production tracks, but they sound pretty fucking finished to me.
A few years ago my day job took me to Spokane pretty regularly. I also liked every person I met there — every one. So our dog-like ears perked up when we saw a Facebook post from the always-interesting Jesse Zuretti The Binary Code recommending that his friends check out a 3-piece Spokane band called Odyssey. No clean singing on that EP, or any other kind of singing. First , most interview questions are stupifyingly inane.
Even when the interviewer actually has a functioning brain, many of them are just fucking lazy. So they ask questions that involve no thought or effort, and they get repaid in kind with the answers. Second , a person can be an extraordinarily talented artist but still be inarticulate or simply uninteresting as a conversationalist — even when the questions are halfway decent. Why, then, should you read this interview? Whether or not I succeeded is something you should judge for yourselves.
No, the main reason you should read this interview is because of Jesse Zuretti. Also, even when my questions were retarded, he was patient and serious in his answers. Naturally, we start by talking about the new EP, but things go off in other directions after that. We thought their debut album, Suspension of Disbelief , was a remarkably accomplished work, both in conception and in execution our review of that album can be found here.
Priest represents another step forward for a band that was already bursting with talent and exceptional creativity. This is the kind of music that engages on both a visceral and a cerebral level — it kicks like a pissed-off mule and makes you think at the same time.
Posted by Islander at 8: Jesse Zuretti , The Binary Code. Posted by Islander at I still find his description of the music evocative and gripping: Posted by Islander at 2: Lumbar , The Binary Code.
Song Quality a novice attempt at history, psychology, and temptation Many people hearing music in this day and age tend to put the quality of the recording in the forefront, even ahead of the quality of the composition and music. Talib Kweli — Gutter Rainbows This album, albeit non-metal, is packed with nostalgia for me. Posted by Islander at 3: Posted by Islander at 4: Suffusion WordPress theme by Sayontan Sinha.